Serveur d'exploration sur l'opéra

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

Singing, mind and brain — Unit pulse, rhythm, emotion and expression

Identifieur interne : 002965 ( Main/Exploration ); précédent : 002964; suivant : 002966

Singing, mind and brain — Unit pulse, rhythm, emotion and expression

Auteurs : Eliezer Rapoport [Israël]

Source :

RBID : ISTEX:F4ABCA5560C0E0893DC39B61FFF1929AEC5359A7

Descripteurs français

English descriptors

Abstract

Abstract: Singing, and especially emotional expression in opera and lied singing, can be described in terms of a basic unit, called here unit pulse, deduced from Fast Fourier Transform (FFT) spectrograms, and interpreted as a basic brain command to the vocal folds consisting of tightening followed by immediate tension release. This unit pulse, of 100-160 ms duration, is a measure of the degree of excitement in singing. It also defines a unit of time, and serves as a brain time counting mechanism (biological clock) in rhythm. It explains the origin of vibrato and of legato coloratura singing. Each vocal tone is composed of one or more unit pulses. Excitement and calmness can be defined on the microscopic level of a 160 ms time scale, and described in terms of three varieties: large pulse, small pulse, and zero pulse. The various ways of their arrangement within the structure of the tone determine the singer's ways of emotional expression in singing. This is a simplified, more basic code of emotional expression in singing than the high-level emotional expression language presented by the author in a previous work. Biologically, the three varieties of the unit pulse correspond to particular sequences of neural firings in specific patterns. Analysis of performance of vocal music in terms of the unit pulse allows quantitative measurement of the (momentary) degree of excitement for each individual tone along the sung melodic line, and gives an insight into the singers' intentions and personal ways of expression and interpretation.

Url:
DOI: 10.1007/BFb0034133


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">Singing, mind and brain — Unit pulse, rhythm, emotion and expression</title>
<author>
<name sortKey="Rapoport, Eliezer" sort="Rapoport, Eliezer" uniqKey="Rapoport E" first="Eliezer" last="Rapoport">Eliezer Rapoport</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:F4ABCA5560C0E0893DC39B61FFF1929AEC5359A7</idno>
<date when="1997" year="1997">1997</date>
<idno type="doi">10.1007/BFb0034133</idno>
<idno type="url">https://api.istex.fr/document/F4ABCA5560C0E0893DC39B61FFF1929AEC5359A7/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000423</idno>
<idno type="wicri:Area/Istex/Curation">000423</idno>
<idno type="wicri:Area/Istex/Checkpoint">000D83</idno>
<idno type="wicri:doubleKey">0302-9743:1997:Rapoport E:singing:mind:and</idno>
<idno type="wicri:Area/Main/Merge">002A85</idno>
<idno type="wicri:source">INIST</idno>
<idno type="RBID">Pascal:98-0011126</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000875</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000B95</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000869</idno>
<idno type="wicri:doubleKey">0302-9743:1997:Rapoport E:singing:mind:and</idno>
<idno type="wicri:Area/Main/Merge">002B37</idno>
<idno type="wicri:Area/Main/Curation">002965</idno>
<idno type="wicri:Area/Main/Exploration">002965</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">Singing, mind and brain — Unit pulse, rhythm, emotion and expression</title>
<author>
<name sortKey="Rapoport, Eliezer" sort="Rapoport, Eliezer" uniqKey="Rapoport E" first="Eliezer" last="Rapoport">Eliezer Rapoport</name>
<affiliation wicri:level="1">
<country xml:lang="fr">Israël</country>
<wicri:regionArea>Musicology Department, Bar - Ilan University, Ramat-Gan</wicri:regionArea>
<wicri:noRegion>Ramat-Gan</wicri:noRegion>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="s">Lecture Notes in Computer Science</title>
<title level="s" type="sub">Lecture Notes in Artifical Intelligence</title>
<imprint>
<date>1997</date>
</imprint>
<idno type="ISSN">0302-9743</idno>
<idno type="eISSN">1611-3349</idno>
<idno type="ISSN">0302-9743</idno>
</series>
<idno type="istex">F4ABCA5560C0E0893DC39B61FFF1929AEC5359A7</idno>
<idno type="DOI">10.1007/BFb0034133</idno>
<idno type="ChapterID">Chap31</idno>
<idno type="ChapterID">31</idno>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0302-9743</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="KwdEn" xml:lang="en">
<term>Cognitive psychology</term>
<term>Musical acoustics</term>
<term>Pitch(acoustics)</term>
<term>Singing voice</term>
<term>Sound analysis</term>
<term>Sound recognition</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr">
<term>Acoustique musicale</term>
<term>Analyse son</term>
<term>Musicologie</term>
<term>Psychologie cognitive</term>
<term>Reconnaissance son</term>
<term>Tonie</term>
<term>Voix chantée</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">Abstract: Singing, and especially emotional expression in opera and lied singing, can be described in terms of a basic unit, called here unit pulse, deduced from Fast Fourier Transform (FFT) spectrograms, and interpreted as a basic brain command to the vocal folds consisting of tightening followed by immediate tension release. This unit pulse, of 100-160 ms duration, is a measure of the degree of excitement in singing. It also defines a unit of time, and serves as a brain time counting mechanism (biological clock) in rhythm. It explains the origin of vibrato and of legato coloratura singing. Each vocal tone is composed of one or more unit pulses. Excitement and calmness can be defined on the microscopic level of a 160 ms time scale, and described in terms of three varieties: large pulse, small pulse, and zero pulse. The various ways of their arrangement within the structure of the tone determine the singer's ways of emotional expression in singing. This is a simplified, more basic code of emotional expression in singing than the high-level emotional expression language presented by the author in a previous work. Biologically, the three varieties of the unit pulse correspond to particular sequences of neural firings in specific patterns. Analysis of performance of vocal music in terms of the unit pulse allows quantitative measurement of the (momentary) degree of excitement for each individual tone along the sung melodic line, and gives an insight into the singers' intentions and personal ways of expression and interpretation.</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>Israël</li>
</country>
</list>
<tree>
<country name="Israël">
<noRegion>
<name sortKey="Rapoport, Eliezer" sort="Rapoport, Eliezer" uniqKey="Rapoport E" first="Eliezer" last="Rapoport">Eliezer Rapoport</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002965 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 002965 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    OperaV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:F4ABCA5560C0E0893DC39B61FFF1929AEC5359A7
   |texte=   Singing, mind and brain — Unit pulse, rhythm, emotion and expression
}}

Wicri

This area was generated with Dilib version V0.6.21.
Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024